Burt Reynolds was going through a hard time in his life when he made the 1993 un-classic The Man From Left Field, a singularly vain vanity project dedicated to sharing his personal turmoil, Dick Howser fetish, and a bunch of saddish Florida State in-jokes.
The Atlantic League of Professional Baseball is very much not the Major Leagues, which was easy enough to notice at the Camden Riversharks' "Costanza Night." But also that's not an insult.
Amazing Grace and Chuck isn't very good, and is -- despite the best efforts of Alex English, Jamie Lee Curtis, Gregory Peck and others -- frequently very not-good. It's almost well-meaning enough to make up for that.
The Ultimate Warrior was a memorable wrestler and a grandiose homophobic jerk. But for a generation of fans, some of whom happen to be gay, Warrior was our grandiose homophobic jerk.